Pesquisando por: "REMBRANDT (REMBRANDT VAN RIJN)" - Fotoarena - Agência de fotojornalismo

ny180324143407 A vacant frame where Rembrandt van RijnÕs ÒChrist in the Storm on the Sea of GalileeÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny220324200306 HEADLINE: Empty Frames and Other Oddities From the Unsolved Gardner Museum Heist CAPTION: A vacant frame where Rembrandt van Rijn?s ?A Lady and Gentleman in Black? (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. CREDIT: (Tony Luong/The New York Times/Fotoarena)

ny180324143807 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

ny180324143207 A vacant frame where Rembrandt van RijnÕs ÒA Lady and Gentleman in BlackÓ (1633) was once displayed at the Isabella Stewart Gardner Museum in Boston in March 2024. After 34 years, not one of the 13 works stolen during the largest art theft in history has surfaced but the puzzling peculiarities of the case still draw interest. (Tony Luong/The New York Times/Fotoarena)

20230708_zaf_x99_279 LEIDEN, July 9, 2023 Actors perform during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_280 LEIDEN, July 9, 2023 Actors perform during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_272 LEIDEN, July 9, 2023 Actresses interact with visitors in the street during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_275 LEIDEN, July 9, 2023 A visitor interacts with actors during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_274 LEIDEN, July 9, 2023 An actress poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_273 LEIDEN, July 9, 2023 Actors reenact the scene of Rembrandt's work ''The Anatomy Lesson of Dr Nicolaes Tulp'' during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_267 LEIDEN, July 9, 2023 An actor poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_266 LEIDEN, July 9, 2023 An actress poses for a photo during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

20230708_zaf_x99_265 LEIDEN, July 9, 2023 Actors are seen in the street during the Rembrandt Days in Leiden, the Netherlands, July 8, 2023. During the two-day event, the city's historic center is transformed into 17th-century atmospheres to celebrate the life and work of Dutch painter Rembrandt van Rijn. Leiden is the birthplace of Rembrandt. (Credit Image: © Sylvia Lederer/Xinhua/Zuma Press/Fotoarena)

ny140721162104 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162205 A black chalk drawing by Rembrandt, most likely from 1641, at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162305 Hansken?s skull and other items on display in the exhibition ?Hansken, Rembrandt?s Elephant? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. (Julia Gunther/The New York Times/Fotoarena)

ny140721162405 A detail from Rembrandt?s etching ?Adam and Eve in Paradise,? at the Rembrandt House in Amsterdam, The Netherlands, on July 1, 2021. Seventeenth-century viewers would have understood the elephant as a symbol of chastity and grace.(Julia Gunther/The New York Times/Fotoarena)

ny280621163704 ?A Dutch Courtyard? by Pieter de Hooch, a contemporary of Vermeer?s, is scanned at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163905 John Delaney prepares a hyperspectral visible wavelength camera to scan ?A Dutch Courtyard,? by Pieter de Hooch, at the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

ny280621163405 A museum guest photographs Johannes Vermeer?s ?Woman Holding a Balance? in the National Gallery of Art in Washington on June 18, 2021. High-tech scanning techniques used by geologists, planetary scientists, drug companies and the military are revealing secrets of how artists created their masterpieces. (T.J. Kirkpatrick/The New York Times/Fotoarena)

908_06_lr2003295 Titus reading

908_06_lehd11884 Saint Paul in prison

908_06_lehd11566 Portrait of Maurits Huygens

00825134 "justice, crime, theft, handover of Rembrandt's painting ""The head of Christ"" after its theft on 12.12.1959 from the Gem?ldegalerie Berlin, by Dr. Adrian, Brunswick, to Dr. M?ller - Hofstede, Berlin, Brunswick, 24.10.1961,"

alb4101806 Isaac Blessing Jacob. Dating: c. 1638. Measurements: h 117 cm × w 141 cm; h 141 cm × w 165.5 cm × t 10 cm. Museum: Rijksmuseum, Amsterdam. Author: Govert Flinck.

alb4105999 Portrait of a Woman, Possibly Maria Trip. Dating: 1639. Measurements: h 107 cm × w 82 cm. Museum: Rijksmuseum, Amsterdam. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb4103747 Man in Oriental Dress. Bust of a Man in Oriental Dress. Dating: 1635. Measurements: h 72 cm × w 54.5 cm. Museum: Rijksmuseum, Amsterdam. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3624288 Christ at Emmaus: The Smaller Plate. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1634. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3619468 Christ Driving the Money-Changers from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3703174 Man Drawing from a Cast. Dated: c. 1641. Dimensions: sheet: 9.5 x 6.5 cm (3 3/4 x 2 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3670857 Joseph's Coat Brought to Jacob. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 4 3/4 × 3 7/16 in. (12 × 8.8 cm)Plate: 4 3/16 × 3 3/16 in. (10.7 × 8.1 cm). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3733072 Bust of an Old Man with Flowing Beard and White Sleeve. Dated: c. 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3698859 Clement de Jonghe. Dated: 1651. Dimensions: plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21.2 x 16.8 cm (8 3/8 x 6 5/8 in.). Medium: etching, drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3655128 The Stoning of St. Stephen. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA.

alb3657720 Old Man with Beard, Fur Cap, and Velvet Cloak. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 5 15/16 × 5 1/4 in. (15.1 × 13.3 cm)Plate: 5 13/16 × 5 1/8 in. (14.8 × 13 cm). Date: ca. 1631. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3647056 Jan Lutma, Goldsmith. Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 9 1/16 × 5 15/16 in. (23 × 15.1 cm). Date: 1656. Museum: Metropolitan Museum of Art, New York, USA. Author: After Rembrandt (Rembrandt van Rijn).

alb3721922 Self-Portrait with Saskia. Dated: 1636. Dimensions: plate: 10.5 x 9.4 cm (4 1/8 x 3 11/16 in.) sheet: 12.7 x 10.4 cm (5 x 4 1/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3724394 Samuel Menasseh ben Israel. Dated: 1636. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb3722790 Old Bearded Man in a High Fur Cap, with Eyes Closed. Dated: c. 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

alb4138203 Bearded Man, in Furred Oriental Cap and Robe. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1630-1631. Dimensions: 145 x 129 mm (plate); 155 x 138 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

akg207568 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "Bust of Saskia Woman Smiling"", 1633. (Saskia van Uylenburgh, wife of Rembrandt from 1634 until her death in 1642). Oil on oak, 52.5 × 44.5 cm. Dresden, Gemäldegalerie, Alte Meister. Museum: Dresden, Gemäldegalerie, Alte Meister.

alb2036990 Rembrandt Harmenszoon van Rijn / 'Bathsheba in the bath', 1654, Oil on canvas, 142 x 142 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2069823 Rembrandt Harmensz van Rijn / 'Judith at the banquet of Holofernes', 1634, Dutch School, Oil on canvas, 143 cm x 154,7 cm x 2,5 cm, P02132. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JUDITH.

alb4154900 Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1936. Dimensions: 315 x 410 mm (image/plate); 340 x 445 mm (sheet). Aquatint and sugar lift etching with scraping and engraving on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

ibxsuc10093734 Rembrandt Harmenszoon Van Rijn 1606-1669, Dutch artist. From the book Gallery of Portraits, published 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

akg131191 Rembrandt, Harmensz van Rijn. 1606-1669. "Jesus drives out the Money-changers from the Temple", 1626. Oil on wood, 43 × 33cm. Moscow, Pushkin Museum. Museum: Moscow, Pushkin Museum.

akg051202 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "The Apostle Paul", c.1630. Oil on canvas, 125 × 110 cm. Vienna, Kunsthistorisches Museum. Museum: Wien, Kunsthistorisches Museum.

alb3626436 Faust. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 10 5/8 × 8 7/16 in. (27 × 21.5 cm)Plate: 8 3/16 × 6 5/16 in. (20.8 × 16 cm). Date: ca. 1652. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb4137225 The Raising of Lazarus: The Larger Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1627-1637. Dimensions: 343 x 235 mm (sheet trimmed within plate mark). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

akg7668938 school of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, The Death of Lucretia (?), mid-1640s, oil on canvas, Unframed: 68 1/2 × 86 1/2 inches (174 × 219.7 cm).

akg336138 Zanko, Thomas. "La Réunion des ancêtres", 1978. Aérographe et pochoir sur plastique toilé, H. 1,45 ; L. 2,50. Coll. de l'artiste. Copyright: Additional copyrights must be cleared.

akg7906361 Felix Ziem, 1821-1911. "The Night Watch after Rembrandt", around 1853. Painting, oil painting. PPP251, Paris, Petit Palais.

akg7237823 Rembrandt (Rembrandt Harmenszoon van Rijn), 1606-1669. "The Abduction of Europa", 1632. Oil on single oak panel, 64.6 × 78.7 cm. Inv. No. 95. PB. 7. Los Angeles, J. Paul Getty Museum.

akg7700600 Old Man with a Tall, Fur-Edged Cap, Follower of Rembrandt van Rijn (Dutch, 1606-1669), oil on panel, 9-3/4 x 7-1/2 in. (panel) 17-3/4 x 15-1/2 in. (framed), European Painting and Sculpture Before 1800.

akg7650567 circle of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Bust of a Youth, early 1660s, Oil on oak panel, Unframed: 16 × 13 3/4 inches (40.6 × 34.9 cm).

akg7649192 circle of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, A Woman Weeping, mid- to late 1640s, Oil on oak panel, Unframed: 8 3/8 × 6 5/8 inches (21.3 × 16.8 cm).

akg7648598 Unknown (Dutch), manner of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Rembrandt's Son Titus, 1641/1668, oil on canvas, Unframed: 21 1/4 × 17 1/8 inches (54 × 43.5 cm).

akg7665062 workshop of Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Man Wearing a Plumed Beret and Gorget, mid-1630s, Oil on oak panel, Unframed: 27 1/8 × 20 3/8 inches (68.9 × 51.8 cm).

akg110108 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. Exterior View. Rembrandt House Museum. Rembrandt lived and worked in the house between 1639 and 1656, Jodenbreestraat 4/6, Amsterdam, The Netherlands. Photo, c.1950.

akg146295 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "The Holy Family in the Workshop", c.1648/49. Pen and brown ink, 173 × 227 mm. Rotterdam, Museum Boymans-van Beuningen. Museum: Rotterdam, Museum Boymans-van Beuningen.

akg3090150 Rembrandt, born Rembrandt Harmenszoon van Rijn; Dutch painter; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "The last years of life, 1656-1669." - (The faulty Rembrandt in his house in Rozengracht in Amsterdam's Jordaan district). Color lithograph, anonymous, Germany, 1906. Collective pictures of the company Liebig's Fleisch-Extract. No. 6 of the series: From Rembrandt's life. Private collection. Museum: PRIVATE COLLECTION.

akg573902 Rembrandt, Harmensz van Rijn. 1606-1669. "Butchered ox", c. 1655. Oil on wood, 73.5 × 52cm. Glasgow, Art Gallery and Museum. Museum: Glasgow, Art Gallery and Museum.

alb3740088 Abraham Entertaining the Angels. Dated: 1656. Dimensions: plate: 15.8 x 12.7 cm (6 1/4 x 5 in.) sheet: 16.1 x 13 cm (6 5/16 x 5 1/8 in.). Medium: etching and drypoint on japan paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

orz032694 PINTURA - FOTO AÑOS 70. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: Rijksmuseum. Amsterdam. HOLANDA.

orz032692 PINTURA - FOTO AÑOS 70. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: Rijksmuseum. Amsterdam. HOLANDA.

alb4137049 Seated Female Nude. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1660-1662. Dimensions: 212 × 175 mm. Pen and brown ink and brush and brown wash with scraping and with touches of opaque white watercolor on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb3680279 Bellona. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 50 x 38 3/8 in. (127 x 97.5 cm). Date: 1633.Rembrandt's sober and powerful depiction of Bellona, the Roman goddess of war, was perhaps intended to suggest the new Dutch Republic's readiness to repel foreign forces. Images of Mars and his sister Bellona occasionally decorated the headquarters of civic guard companies. The shield, with its frightful face of Medusa, was added at a late stage of work, probably in response to seeing a version of Rubens's well-known painting of a severed Medusa's head. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3682334 Portrait of a Man, probably a Member of the Van Beresteyn Family. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 44 x 35 in. (111.8 x 88.9 cm). Date: 1632.The man is most likely Cornelis van Beresteyn (1586-1638), a wealthy burgomaster of Delft. His restrained pose and sober expression contrast with the animation and accessibility that Rembrandt usually attributed to members of Amsterdam society. At the time, portraits in Delft and in the neighboring court city of The Hague were remarkably conservative, adhering to a tradition that went back to Spanish royal portraits of the mid-1500s. Rembrandt is known to have painted a few portraits in The Hague during 1632. Museum: Metropolitan Museum of Art, New York, USA.

alb3632665 Rembrandt's Son Titus (1641-1668). Artist: Style of Rembrandt (17th century or later). Dimensions: 31 1/8 x 23 1/4 in. (79.1 x 59.1 cm).The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a favorite of Rembrandt forgers, who occassionally failed to coordinate the date on their canvas with the style of execution and the sitter's age. The present painter has been more careful, evidently referring to an original portrait of Titus such as the one of about 1657 in The Wallace Collection, London, and, for the costume, to a self-portrait or other Rembrandt painting of the period; the same pose and placement of the figure in the composition occur in Rembrandt's Self Portrait of 1652 in the Kunsthistorisches Museum, Vienna. The boy's bright eyes and sweetly smiling lips seem as superficial in expression as they are in form. The technique overall might be compared with that of the Man with a Beard (89.15.3). Museum: Metropolitan Museum of Art, New York, USA.

alb3672001 Man in Oriental Costume ("The Noble Slav"). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 60 1/8 x 43 3/4in. (152.7 x 111.1cm). Date: 1632.Compared with Rembrandt's formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector. Pictures of imaginary Persian, Ottoman, or otherwise "Oriental" princes were popular at the time because of new trade contacts between the Dutch and the Middle East. However, the model is a Dutchman who appears in other paintings by Rembrandt and by artists in his circle. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3622864 Portrait of a Man with a Breastplate and Plumed Hat. Artist: Style of Rembrandt (Dutch, mid- to late 1640s). Dimensions: 47 3/4 x 38 3/4 in. (121.3 x 98.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3621218 Pilate Washing His Hands. Artist: Style of Rembrandt (Dutch, 17th century). Dimensions: 51 1/4 x 65 3/4 in. (130.2 x 167 cm). Date: probably 1660s.Critical opinions of this picture have varied considerably since about 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. However, most scholars since the 1940s have dated the painting to the 1660s and assigned it to an anonymous pupil. The composition is reminiscent of mature works by Rembrandt but the Rembrandtesque surface effects fail to convey anything like the master's command of illumination and modelling. The name of his only known pupil of the 1660s, Arent de Gelder, has been put forward speculatively. Museum: Metropolitan Museum of Art, New York, USA.

alb3608426 Christ Crucified between the Two Thieves: The Three Crosses. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm)Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm)Mount: 22 x 28 in. (55.9 x 71.1 cm). Date: 1653.The Three Crosses, one of Rembrandt's finest works in any medium, represents the culmination of his virtuosity as a printmaker. He drew on the copperplate entirely in drypoint which allowed him to fully exploit the velvety areas of burr raised by the drypoint tool as it cut into the copper. When Rembrandt created this impression, he deliberately left ink on the printing plate; it lightly veils the figures standing at the foot of the cross on the right; a thicker layer almost completely covers the bushes along the right edge. By creatively inking the copperplate, Rembrandt in a certain sense painted each impression. Each time he printed the copperplate he created a unique work. He further varied impressions by printing them on different supports; this impression is printed on vellum, which infuses the composition with a warm light. Vellum, less absorbent than paper, holds ink on the surface, softening lines and enhancing the richness of entire effect. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3652049 The Toilet of Bathsheba. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 22 1/2 x 30 in. (57.2 x 76.2 cm). Date: 1643.King David, barely discernible atop the palace in the background, sees Bathsheba bathing and sends for her, despite the fact that she is married to his loyal soldier Uriah (Samuel 2:2-5). The king later arranges for Uriah to be killed in battle. The painting is one of a few dating from the 1640s in which Rembrandt revives his early, precisely descriptive manner in order to produce fine "cabinet pictures" for collectors. The others are also religious but not erotic, as this one was surely intended to be. The original state of the badly worn background may be judged from a reproductive engraving of 1763. Museum: Metropolitan Museum of Art, New York, USA.

alb3656634 Man in a Red Cloak. Artist: Style of Rembrandt (Dutch, 1650s or early 1660s). Dimensions: 15 1/8 x 12 1/4 in. (38.4 x 31.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3619368 Young Woman with a Red Necklace. Artist: Style of Rembrandt (Dutch, ca. 1645). Dimensions: Overall, with added strips, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm). Date: ca. 1645. Museum: Metropolitan Museum of Art, New York, USA.

alb3610724 Christ with a Staff. Artist: Follower of Rembrandt (Dutch, third quarter 17th century). Dimensions: 37 1/2 x 32 1/2 in. (95.3 x 82.6 cm).This impressive picture was clearly inspired by Rembrandt's style of the 1660s and was conceivably painted in his workshop. The broad, uniform application of paint and rather decorative use of strokes and scratches imitate some of Rembrandt's surface effects but fail to achieve his sense of volume, various textures, and atmosphere. A few scholars have suggested the manner of execution is similar to that of Arent de Gelder (1645-1727), Rembrandt's last important pupil. Museum: Metropolitan Museum of Art, New York, USA.

alb3649890 Man with a Magnifying Glass. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 36 x 29 1/4 in. (91.4 x 74.3 cm). Date: early 1660s.The costume and pose of the man in this magnificent late work by Rembrandt were inspired by Raphael's celebrated portrait of Baldassare Castiglione (Musée du Louvre, Paris), which Rembrandt studied when it appeared at auction in Amsterdam in 1639. The man who ran the auction was Pieter Haringh (1609-1685), who is very likely the sitter here; his features are known from a Rembrandt etching of 1655. The magnifying glass would have been used in evaluating jewelry, silver, paintings, and other luxury goods. The pendant portrait (14.40.622) shows his wife. Museum: Metropolitan Museum of Art, New York, USA.

alb3665260 Hendrickje Stoffels (1626-1663). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 30 7/8 x 27 1/8 in. (78.4 x 68.9 cm). Date: mid-1650s.The sitter is probably Hendrickje Stoffels, who was the painter's companion from about 1650 until her early death in 1663. Rembrandt's responsibility for this portrait has never been doubted, although the signature and date appear to have been added by another hand. The picture may have been painted at different intervals in the years about 1655-60, and it may be unfinished in the drapery and hand. The paint surface is badly abraded, making judgments of quality and of Rembrandt's intentions difficult. It seems likely, however, that the artist had Titian in mind: for example, his famous painting (known from many copies) of the repentant Magdalen. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3669990 Portrait of a Woman, probably a Member of the Van Beresteyn Family. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 44 x 35 in. (111.8 x 88.9 cm). Date: 1632.This portrait is a pendant to the Portrait of a Man (29.100.3). If the man is Cornelis van Beresteyn, then the woman must be his second wife, Corvina van Hofdyck (1602-1667). Her pose, including the precise positions of the hands (one holding an ostrich fan), repeats that of her mother-in-law as depicted by Jacob Willemsz. Delff in 1592. Rembrandt's pair portraits appear to have conformed in design to a dynastic ensemble of portraits that originally hung in the Van Beresteyn family home in Delft. Museum: Metropolitan Museum of Art, New York, USA.

alb3664108 Portrait of a Man. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 32 7/8 x 25 3/8 in. (83.5 x 64.5 cm). Date: ca. 1655-60.This portrait is generally considered to be by Rembrandt, and is somewhat less uniformly thought to date from the 1650s. Both questions are made more difficult by the condition of the picture: the hands, the body, and the hat are badly abraded. The face is fairly well preserved. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3668337 Young Woman with a Pearl Necklace. Artist: Copy after Willem Drost (Dutch, late 17th or early 18th century). Dimensions: 33 1/8 x 24 1/2 in. (84.1 x 62.2 cm).The sitter bears a resemblance to Hendrickje Stoffels (born about 1625-26, died 1663), Rembrandt's common-law wife and the subject of a number of his portraits, one of which is in the Metropolitan. The picture is the work of a pupil of Rembrandt, and the strong light striking the face suggests that it may be by Barent Fabritius. Another version is in Dresden. Museum: Metropolitan Museum of Art, New York, USA.

akg3090148 Rembrandt, eigentl. Rembrandt Harmenszoon van Rijn; niederländischer Maler; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "Rembrandt malt den Bürgermeister Jan Six. 1654". - (Jan Six, niederländischer Kunstsammler, Mäzen und Amsterdamer Regent; 1618-1700). Farblithographie, anonym, Deutschland, 1906. Sammelbildchen der Compagnie Liebig's Fleisch-Extract. Nr. 4 der Serie: Aus Rembrandt's Leben. Privatsammlung. Museum: PRIVATE COLLECTION.

akg3090146 Rembrandt, eigentl. Rembrandt Harmenszoon van Rijn; niederländischer Maler; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "Rembrandt malt die Nachtwache. 1642". - (Amsterdam 1642: Rembrandt malt "Die Nachtwache", das Gruppenbild der Schützengilde des Frans Banning Cocq). Farblithographie, anonym, Deutschland, 1906. Sammelbildchen der Compagnie Liebig's Fleisch-Extract. Nr. 2 der Serie: Aus Rembrandt's Leben. Privatsammlung. Museum: PRIVATE COLLECTION.

akg3090145 Rembrandt, eigentl. Rembrandt Harmenszoon van Rijn; niederländischer Maler; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "Rembrandt zeichnet seine junge Frau Saskia. 1634". - (Saskia von Uylenburgh, 1612-1642, ab 1634 Rembrandts Ehefrau). Farblithographie, anonym, Deutschland, 1906. Sammelbildchen der Compagnie Liebig's Fleisch-Extract. Nr. 1 der Serie: Aus Rembrandt's Leben. Privatsammlung. Museum: PRIVATE COLLECTION.

akg3090149 Rembrandt, eigentl. Rembrandt Harmenszoon van Rijn; niederländischer Maler; Leiden 15. 7. 1606 - Amsterdam 4. 10. 1669. - "Rembrandt's Bankrott. 1656". - (Rembrandts Haus in der Breetstraat in Amsterdam und seine Sammlungen werden versteigert; neben dem Künstler sein Sohn Titus). Farblithographie, anonym, Deutschland, 1906. Sammelbildchen der Compagnie Liebig's Fleisch-Extract. Nr. 5 der Serie: Aus Rembrandt's Leben. Privatsammlung. Museum: PRIVATE COLLECTION.

orz032695 PINTURA - FOTO AÑOS 70. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: Rijksmuseum. Amsterdam. HOLANDA.

alb2620057 The Abduction of Europa; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1632; Oil on single oak panel; Unframed: 64.6 x 78.7 cm (25 7/16 x 31 in.), Framed [outer dim]: 77.2 x 93.7 x 5.4 cm (30 3/8 x 36 7/8 x 2 1/8 in.).

akg827876 Rembrandt, Harmensz van Rijn; 1606-1669. "Slaughtered oxen", 1655. Oil on wood, 94 x 67cm. M.I. 169. Museum: Musée du Louvre., Paris.

akg185473 zu: Rembrandt, eigentl. R.Harmensz van Rijn; holländ. Maler; 1606-1669. "Rembrandt + Zanders". Werbemittel der Firma Zanders Feinpapiere Bergisch-Gladbach, 1989. Graphische Gestaltung: Seymour Chwast. Offsetdruck auf "Elefantenhaut", weiß, 110 g. Blindprägung von Haar- und Bartteilen. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: Additional copyrights must be cleared.

akg812623 Medicine / Dissection. "The Anatomy Lesson". Copy, anonymous, probably 19th century, after the painting "The Anatomy Lesson of Dr. Nicolaes Tulp", 1632, by Rembrandt (1606-1669). Oil on canvas. Amiens, Faculté de Médecine. Museum: Amiens, Faculté de Médecine.

akg019754 zu: Rembrandt, eigentl. R.Harmensz van Rijn; holländ. Maler; Leiden 15.7.1606 - Amsterdam 4.10.1669. Het Rembrandthuis, Amsterdam, Jodenbreestraat 4/6. Außenansicht. Federzeichnung von M.J.Gradl. Aus: Rembrandt-Almanach 1906/1907, Stuttgart (Dt. Verlags-Anst).

les40050616 Jacob blessing his grandchildren Ephraim and Menasse in the presence of their parents Joseph and Anasth. Canvas. Author: HARMENSZOON VAN RIJN REMBRANDT. Location: Staatliche Kunstsammlungen, Kassel, Germany.

les40030350 The Anatomy of Dr. Nicolaes Tulp. Oil on canvas (1632) 170 x 217 cm. Author: HARMENSZOON VAN RIJN REMBRANDT. Location: Mauritshuis, Den Haag, Netherlands.

akg051343 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. "The Anatomy of Dr. Deijman", 1656. (Dr. Johan Deijman, 1619-1666). Detail. Oil on canvas, 113 × 135 cm. Inv. no. SA 7394. Amsterdam, Amsterdams Historisch Museum. Museum: Amsterdam, Amsterdams Historisch Museum.

alb3905195 The Blinding of Samson. Date/Period: 1636. Painting. Oil on canvas. Width: 276 cm. Height: 206 cm (Complete). Author: HARMENSZOON VAN RIJN REMBRANDT.

akg051281 Rembrandt (born Rembrandt Harmenszoon van Rijn), 1606 - 1669, Dutch draughtsman, painter and printmaker. Portrait of Harman G. van Rijns. Drawing, 1630. Black chalk and red chalk, brown wash on paper, 18.9 x 24 cm. Ashmolean Museum of Art and Archaeology, Oxford, Germany. Museum: Oxford, Ashmolean Museum.

alb3905156 Moses Smashing the Tablets of the Law. Date/Period: 1659. Painting. Oil on canvas. Height: 168.5 cm (66.3 in); Width: 136.5 cm (53.7 in). Author: HARMENSZOON VAN RIJN REMBRANDT.

alb9877925 Rembrandt, or Rembrandt Harmenszoon van Rijn, Dutch Golden Age painter, printmaker and draughtsman, 1606-1669. Renbrant Mahl. zu Amsterdam. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb3710727 Christ Crucified between the Two Thieves (The Three Crosses). Dated: 1653. Medium: drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.